Birth of a Living Museum

Walking into the Museo Viviente Otavalango in Otavalo, I heard voices.

We had not been greeted and there was no one there. But the voices of workers who once toiled in what was the San Pedro textile factory were loud and clear. The past emanated from the corners of the silent rooms. Footsteps of artisans hurrying to work made the old wooden floors creak once again, echoing my own.

My friend and I found the Museo by accident. Quite literally. We had been looking for it, but the “ten minute walk” promised by the tourist office in town had turned into 30 and it was nowhere in sight. On Google maps, the museo is on “Unnamed Street.” Big help. We found a friendly local woman who offered to lead us. Then we bumped into a man and young boy who pointed us in the opposite direction.

Finally, we found it. Another couple was just getting into a taxi when we arrived, leaving us the only visitors on the property.

What a property. The 200-year-old shell of the former textile factory still stands. Only one of the three large buildings is still empty. Woven between them are tiny homes of some of those who have vowed to preserve the ancient culture of the Quechua.DSC_0102DSC_0094

DSC_0116We were soon met by José René Zambrano Cachimuel, the president of The Otavalango Living Museum. As a young man, René worked in the same the buildings now housing the museum. It is because of René, and his determined wife Luzmila, that the dilapidated factory has been preserved, and the museum created.

Years after working there, curiosity took him back to the factory where he found it in ruins. There was very little left, and most of the furniture and antique looms had been stolen. René began the several years’ process of rallying support for an indigenous center. He ever coerced his wife into writing the president of Ecuador to ask for his support. That letter led to the president soliciting a bank to loan funds to the project.

In 2011, a company of twenty Quechuas, also known as Kichwas for their language, from Otavalo became the first indigenous owners of La Fabrica San Pedro. Together they fed the dream promoted by René and Luzmila, joining to find and preserve artifacts and ancient stories.

The Otavalango Living Museum is an interactive classroom, showcasing traditional games, dances, and ancestral tales. Groups schedule meetings in the renovated classroom and teachers offer regular classes in the Kichwa language.

DSC_0111My friend, Carol, and I were a captive audience. We marveled at the talents of seamstresses who create elaborate costumes. René explained the traditional Otavalan clothing that began with two versions before the Spaniards arrived and two more after they occupied the land.

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We learned about ceremonial weddings during which the couple remains on their knees. They are blessed by herbs and antique artifacts, and the event ends with the woman braiding the man’s long, black hair.

There are masks and traditional costumes used for celebrations blessing the sun, moon and earth. René playfully dons one mask and takes a few steps, leaving us all laughing.

We hover over the display of Kichwa burials. We are enthralled with the tiny casket surrounded by toys. It’s part of the Incan culture passed down that encourages those left behind to populate the burial ground of loved ones with the things they will need in the next life.

DSC_0132René does his best to make the displays come alive. There is another man in the weaving room, who begins spinning yarn as we enter. It isn’t enough for our tour guide who drops to the ground to operate a back strap weaving loom.

Our private tour ends and our senses are full. We are so thankful we chose the museum as our last stop in Otavalo.  René’s passion is infectious; he found converts in both of us.

Museo Viviente Otavalango is open Monday through Saturday from 9 a.m. to 5 p.m. It’s important to call ahead at (593)062.903.879, especially if you come with a group, to ensure an English-speaking guide. Advance notice also gives René an opportunity to gather members of the community to set up live demonstrations.

Admission is just $5. The official address is Vía Antigua a Quiroga #1230. But just ask for the Antigua Fábrica San Pedro. The Museo Viviente Otavalo hasn’t quite stuck – yet.

ContactMuseo Viviente Otavalango at museovivienteotavalango@hotmail.com or http://www.otavalango.org

Falling for Peguche

DSC_0041I chose the path that got us lost.

And once we found the grand entrance, it was a challenging admission to make.

Nonetheless, we had lots of laughs and a grand adventure finding the Las Cascadas de Peguche, tucked into the foothills of the Imbaburu volcano in Otavalo, Ecuador.

My buddy Carol is a good sport. She followed me dutifully. We skated down slippery, muddy slopes. We tiptoed across barely-there wooden bridges. When we lost all signage, we confidently walked the animal paths along the edges of the mountain.

The unmistakable roar of cascading water led us there. Frothy foam and churning liquid is spell-binding. Falling from 50 feet through the jungle foliage into the Peguche River, the scene was all the more mesmerizing.

It was well worth the walk – and the detour!

DSC_0036Peguche is one of many waterfalls throughout Ecuador. But it holds three distinctions: It’s found inside one of the most beautiful forests of northern Ecuador, it’s easily accessed from the main road through Otavalo, and it’s an indigenous ceremonial site.

Inside a 40-acre protected forest known as Bosque Protector Cascada de Peguche, the falls can be reached in 20 minutes. That assumes you go through the front gate. There is no charge, but donations are accepted inside the interpretive center. The waterfalls  originate at the foothills of the volcano, at the northern tip of San Pablo Lake, about two and a half miles south of Otavalo.

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Peguche is considered a sacred place in the indigenous culture because of the native people’s relationship to nature. Villagers from throughout the region visit the falls to perform purification rituals in the days before Inti Raymi. Inti Raymi is an Incan-based celebration of the sun and harvest, traditionally set for June 24.

Like many ancient sites, the falls are also the stuff of legends.

We rested outside a cave leading behind the falls, but neither of us had any interest in, or equipment for, crawling through the mud into the inky blackness. Later I heard one of many folktales: There is a cauldron of gold guarded by two black dogs deep inside the cave. The devil sits next to the cauldron, according to the legend, holding a plate of sand. The falling water washes away the sand in the plate, little by little, until the plate is empty. At that point, the devil snatches the soul of whoever has entered the waterfall at the same moment.

No problem there. We weren’t in the purification mood. And while the mist felt rejuvenating, the icy cold water was not appealing.

Hikers in the area need to look pat the ever-present, shameful graffiti, to appreciate the forest foliage and an abundance of birds. While we didn’t see most of them, I’m told the lush vegetation houses doves, owls, Quindes, hummingbirds, reptiles, frogs and various other species.

We passed through a Quichua community on the way to the falls (or on the way out for those who follow signage). We were a bit early for business, but the villagers living there are dedicated craftsmen. Still weaving in the traditional ways, they produce blankets, ponchos, bags and other textiles. They offer photos with a fully outfitted llama for a price and refreshments in a small café.

There is public transportation available in Otavalo to get to the waterfalls at Parque Central Simon Bolivar. Buses leave every 20 minutes from there. Taxis are readily available and charge about $3 one way.

If you are planning your trip from Quito, there are buses from the main station every 5 to 10 minutes. The Terminal de Buses de Carcelen is on the north side of Quito. The two-hour ride costs about $3.

Just a reminder. Look for the main entrance. You can still have the adventure but maybe a little less stress.peguche-entrance