Not Just Another Party

In a culture filled with tradition and festivals, Cuencanos go all out to celebrate Corpus Christi.

The Christian festival is one of thanksgiving, tracing its history to the 1500s through Spanish heritage to its indigenous roots. Hundreds of years ago, Incans showed their appreciation for a good harvest by celebrating the mythological Incan goddess Pacchamama, or Mother Earth, and sun god Inti. Somewhere along the way, the Roman Catholic Church redefined the festival to be one that recognizes the belief that during Mass, bread and wine are changed into the body and blood of Jesus Christ. Corpus Christi is Latin for the body of Christ. Many Cuencanos celebrate both aspects of the festival.

Current-day Corpus Christi takes place 60 days after Easter and generally lasts a week. In Cuenca, where celebrations centered around our central Parque Calderon, vendors and merchants extended the festival two additional days by pitching in for additional fireworks displays. Roads around the park are closed to traffic nightly and hundreds of people pour into the streets.

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According to the Cuenca Office of Tourism, the commemoration of Corpus Christi begins with a proclamation in the streets that ends at the Cathedral de La Inmaculada, also known as the New Cathedral. Here the liturgy is solemnized, followed by a presentation in the streets of the first burning castle, or tower of fireworks. Devotees are given the opportunity to worship at the blessed display inside the Cathedral. The Sacred Host, or consecrated communion bread, remains on display for seven nights and seven dawns. For this the festival is also known as “Septenario,” where “sept” refers to seven.

The family-friendly atmosphere is punctuated with human statues, clowns and homemade carnival games. Vendors hawk everything from whistles and LED toys to handmade bracelets and tiny toy animals. The highlight, of course, is the famous candy produced specifically for this festival. At least 125 tents lined the park on all sides, each displaying mounds of colorful sweets more spectacular than the first.

While the delicacies are beautiful, the selection is overwhelming. How can you possibly decide? For a few dollars, you can take basket and pick and choose to your heart’s content. Of course, you may have to fight swarms of honey bees to get to the products you want. The longer the festival goes on, the more the industrious little bees are drawn to the sugar-laden tables. According to the tourism office, sweets were first distributed by Spanish noble women as gifts to those who lived nearby their homes. They were also given to women in convents and to the Cholas, the indigenous women known by their embroidered and sequined skirts, and became a means to prove participation in the Septenario. Eventually, the recipes slipped out into the general population and today, families take great pride in their own concoctions of candies.

Each night features new folkloric dancers and traditional music. I never cease to be amazed at the agility of Cuencano dancers who navigate the uneven cobblestone streets with ease. Each dance tells a story and is almost always accompanied by props, such as Ecuadorian hats, baskets, flowers, scarves or crates. Most nights, military bands perform as well.

Corpus Christi ends with a procession from the New Cathedral, spilling out hundreds of parishioners who leave rose petals strewn in their wake. In a solemn march around the plaza, onlookers join the parade behind the priest and his contingent. Then comes the grand finale – the burning of the castles. Handmade towers of bamboo, some stretching as high as 40 feet, are placed in the street. The towers are artistically decorated and strategically adorned with swirling pinwheel pyrotechnics, dazzling giant sparklers and colorful rockets timed to go off in rapid succession. The burning of the castles, signifying the end of that night’s celebration, is sponsored by church congregations, civic organizations or individual families.

I was surprised by the location of the opening night’s incendiary display. Fireworks were attached to every window, atop the roof and along the front of the alabaster and marble New Cathedral. The church isn’t that old, having opened in 1975, but it took nearly 100 years to build it. And it’s quite possibly the most recognizable Cuenca landmark, with its trio of domes covered by brilliant blue Czechoslovakian tiles. It was with a bit of fear and awe that I watched as sparks flew off the church. Thankfully, there was no need for the firemen who stood at the ready.

On another night, bystanders angling for the front-row view of the burning towers pressed against some of the police warning tapes until they broke. People crowded to within 20 feet of the burning displays while officers tried in vain to push them back. Again I was reminded of a major difference between Ecuador and the United States. You don’t sue anyone if you get hurt here. It is your responsibility not to get hurt and, if you do, there is no one to blame. Shockingly, a mother standing near me sent her 8–year-old son repeatedly under the tape to stand next to an exploding tower.

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As the sparks of the last tower burned out, this year’s celebration of Corpus Christi came to an end. Well, you still hear fireworks. But this town is like that.  Cuencanos love a good light show. The louder, the better.

 

 

How This Story Began…

cuenca-ecuador“What do you think about Ecuador?’

The question split the silence.

My husband was intently reading an e-mail about a promotional trip to the coast of the South American country.

We had talked about leaving the United States for months. No, years. First, my husband considered pursuing his Belgian heritage by claiming citizenship. We ruled that out as a costly venture for our next act. He pondered various Caribbean islands with attractive retirement plans. We visited a few, but none beckoned to us.

With our mutual love of Latin America, we also were drawn to Costa Rica, Panama, and perhaps Brazil.

We longed for a change of scenery.

We lived in the same house in El Paso, Texas, for almost 20 years. It was now too large and silent. The children were gone. Our pets had passed away. Worse, we lost the last of eight relatives in six months – an entire generation – to a variety of diseases.

Retiring to an exciting new, affordable locale was an attractive idea. Putting adventure and wonder back into our lives as we entered the Golden Years was even more compelling.

“Sure! Why not? When do we leave?” I asked brightly.

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It was time. I had just crossed over the 60 mark and my husband was entering his seventh decade.  Our careers had been long, fruitful and rewarding. We launched a son into a house-flipping business and helped a daughter and her husband buy their first house. We no longer were tied to our Southwest Texas home by responsibility or routine.

We booked the promotional trip to the coast of Ecuador. Sandwiched between Peru and Venezuela, Ecuador never was on our radar. It’s one of those countries you rarely hear about. This may explain why it also is one of the most quiet and peaceful – tranquilo – as the natives often say.

Straddling the equator on South America’s west coast, Ecuador is a diverse land. The coast contains the country’s most fertile lands, producing bananas for Dole and Chiquita, and roses for worldwide export. The highlands feature snow-capped peaks as high as 20,549 feet and most of Ecuador’s volcanoes. El Oriente, or the Amazon, is composed primarily of huge national parks and native reservations, and features the largest preserves of petroleum in the country. Ecuador also includes the Galapagos Islands, the UNESCO world heritage natural site 620 miles west of the mainland in the Pacific.

Ecuador is a country of more than 16 million people, governed by democratically elected president Lenin Moreno. Shot in 1998 in a robbery attempt, the wheelchair-bound president was nominated for the Nobel Peace Prize in 2012 for his advocacy for people with disabilities. When he assumed office in May 2017, Moreno became the world’s only currently serving head of state in a wheelchair.

Ecuador is beautiful. Its coastal hamlet, Salinas, was a tempting slice of life. The variety of affordable homes – from apartments to haciendas – was astounding. The ocean-front properties were priced well below our expectations, each offering seductive views of the Pacific Ocean. Near the promenade, dolphins and sea lions frolicked. In season, migratory humpback whales are a breath-taking sight. Ecuadorians were kind and helpful, curious about the new Gringos in town. But it was hot. It didn’t feel like home.

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We spent days traveling from Salinas to a variety of smaller beachside communities. Montanita is the party town. Traveling back in time to the late 60s and early 70s, we were transported by the boisterous atmosphere, good food and late-night partying. There was sunlight and clean beaches and laughter. But it wasn’t home.

900x600-ecuador-montanita-streetQuieter enclaves, like Punta Blanca and Olon north of Salinas, beckoned to us. We considered a quiet duplex near Santa Domingo, with a patio surveying the glittering ocean. Was it too remote? Without a car we would be confined to walking dirt roads and waiting for lumbering local buses. It was too quiet. It wasn’t home.

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My husband and I were blessed with multiple happy addresses in our life together. Careers and opportunity drove us to four cities in 33 years, where we found comfort and safety in seven different homes. Each time we moved, we happened on a house or apartment that just felt right. Our homes were comfortable and welcoming, exuding warmth to visitors and providing the safety and comfort in which our family thrived.

Slightly discouraged, we made plans to head back to Texas. Someone suggested we stop off in Cuenca, Ecuador’s historic UNESCO World Heritage Site located high in the Andes Mountains. Not crazy about the altitude – 8200 feet – and the average 68 degree weather, I was apprehensive.

Cuenca is enchanting. Designated a historic site for its 16th and 17th century era Spanish colonial architecture, the town has a population of almost 400,000. Predominantly Spanish-speakers, we were pleasantly surprised a few attempt English.

Making our way to our hotel, we dropped our suitcases and headed out for a walk. Visiting the gorgeous green grounds of the Pumapungo Museum, we got a sense of the city’s Incan history. We learned that Panama hats are actually from Ecuador in the world-famous Homero Ortega factory. At Mirador de Turi, we experienced breath-taking vistas of the city’s Spanish, red-tiled roofs.

The second day, we discovered the central park, Parque Calderon. There, we joined sun-bronzed old men chatting on benches and velvet-skirted women selling their wares from baskets skillfully balanced on their heads.

Soaking up the dazzling sunshine and diverse culture, we sat in silence. We gazed at the brilliant blue domes of the spectacular new cathedral, completed after 90 years in 1975. Turning, we could see the “old” cathedral opposite us, a captivating stone church built in 1567.

Laughing children chased homemade tops across the crumbling, cobblestoned paths. Pungent smells wafted through the air: Freshly baked bread and garlic from restaurants blended with aromatic roses at the nearby flower market. Around us, the explosive tolling of ancient church bells shattered the quiet.

Reaching across to the sun-splashed bench to one another, we grasped hands.

We were home.

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Nabón’s Hidden Treasures

Mike had no interest in a tour that included a stop to admire antique dresses.

What we didn’t know is that these dresses were no ordinary antiques.

The main square of Nabón and the village church.

We were touring Nabón, a small canton about 71 kilometers, or 44 miles, southwest of Cuenca. We had already admired the centuries-old millhouse and spent a memorable lunch at Laura’s Casa y Arte, better known as “Chinita’s Wonderland.” Now we were stopping in town to admire the unusual plaza filled with architecturally shaped trees, visiting the nearby church in Charqui and exploring a local orchid farm.

A mountainous chain of peaks just over 9,800 feet above sea level surround the lush green village of Nabón canton. Less than 13 years ago, the town was declared a National Cultural Heritage. The Ministry of Education and Culture that awarded the title cited the area’s unique, rustic landscapes and historically based roots as the seat of pre-Hispanic societies. Indigenous roots are still present in most of the canton, such as the Chunazana, Shiña, and Rañas, who still speak their indigenous languages.

Nabón also is home to archaeological remains of settlements for the Cañari and Inca. During the Inca Empire, Nabón became Tambo (Place of Rest), as a stop of the chasquis, Peruvian messengers who ran with messages and information from Ecuador to Cusco in Peru.

Predominantly Catholic, the canton houses several churches that honor patron saints. In the 120-year-old Charqui Capilla, we are introduced to the Virgen Del Rosario, a title given the mother of Jesus. The church is a living museum, housing the most important of the hundreds of intricately sewn gowns used to adorn the Virgin Mary and the baby she holds during annual festivities. Other smaller communities nearby also serve as storage houses for the dresses. The gowns are changed weekly, with the exception of the 40 days leading to Easter when the Virgen is stowed away.DSC_0369.JPG

The 120-year-old Charqui Capilla where the Virgen’s dresses are stored.

The tradition of providing the antique dresses began in 1949. A family, known as the prioste, is selected to prepare a celebration for the village. The main religious celebration is celebrated in honor of the Blessed Virgin of the Rosary on the last Sunday of May or the first Sunday of June. The prioste, along with the parish priest, is charge of the organization and celebration itself, including contracting for fireworks, providing games, dances and other cultural events

The family also is charged with creating a dress for the Virgen. In the early days, the dress was created by the family members, painstakingly sewn by hand, each bead and sequin carefully placed and stitched in place. The tradition continues today, although most families contract the work.

Some of the dozens of handmade gowns hanging inside the church.

Surprisingly, these intricate and priceless dresses are hung throughout the church. Some, including the oldest one, are placed on benches near the altar. Others are stuffed into an old wooden wardrobe at the rear of the church. All are available for handling. They range from velvets to satins, adorned with beads, sequins and complex lace designs. It is an honor to be chosen, our guide tells us, and a challenge to create the next beautiful gown.

Somewhat chastened and very much in awe of local tradition, we left the church and headed for the orchid farm.

Laurie and Mike inside the Nabón Orquideareo.

The Nabón Orquideareo is a small, thatched roof building housing more than 200 species of orchids. The architecture of the Botanical Garden “Orquideario” maintains ancestral values, which is why its construction is composed of typical materials from the village, such as quarry stone, wood, straw, and reeds.

Visitors are invited to stroll among the gorgeous blooms, each more delightful than the next. One thing we have come to love about Ecuador is its appreciation for these fragile flowers. With its location on the equator and temperate conditions year-round, Ecuador is a perfect place to grow orchids.

Some of the exotic varieties of orchids in the garden.

We finish the tour with a trek to the mountaintop above the orchid farm. The views are breathtakingly beautiful. On one side of the mountain, the village of Nabón sprawls lazily from one end to the other, as far as the eye can see. On the backside of the mountain, a more pastoral scene emerges, farming plots dotting the landscape into the valley.

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Mountaintop view over Nabón.

It is another successful foray into Ecuadorian living for us. Even if Mike didn’t think he was interested in antique dresses.